Rothko is known for his pioneering role in the development of Color Field painting, which is a style of abstract art that emphasizes large areas of flat color.

But the reality is, how much do we actually know about the man himself? Let’s learn some unknown facts about Mark Rothko and find out more about the man behind the art, his thoughts, motivations, and the life he lived. 

1. Born as Markus Yakovlevich Rothkowitz, Rothko was born in modern-day Latvia in the then-Russian Empire.

The youngest child of his family and part of a family that fluctuated between faith and lack thereof, at the age of 5, he was sent by his parents to his Jewish school.

It was there where he learned how to speak Russian, Yiddish, and Hebrew. 

2. At 10 years old, Rothko moved to the United States of America with his family. As a result of this move, English was the artist’s fourth language learned.

Earning a scholarship at Yale University to study during 1921-1923, he also took drawing lessons at the Arts Students League in New York where he studied under Max Weber.

Rothko has suggested that this League was the starting point of his entire artistic career. Naturally, he was thrilled when his teacher came and attended one of his future art shows.

3. Rothko is known for starting a satirical magazine called ”The Yale Saturday Evening Pest”, known for decrying the traditional aspects of Yale.

He criticized the school for its elite and racist environment through this magazine, all while working as a waiter and delivery person to get the funds for his schooling.

Unfortunately for him, his scholarship was ended by Yale at the end of his first year.

4. As the 1940s came, some of Rothko’s earliest artworks were produced from experimentations with the forms of automatism, relating to the subconscious mind and bio-morphism, designs related to natural things.

Many of these works looked to combine living beings like animals and plants, fish and humans.

The artist himself described some of these earlier works as a single tragic idea, a combination of plant and animal, known and unknown, together as one.

5. Before he achieved his artistic success, he had to make money some other way.

To do so, the artist made two sources of income. One of these was through his art and the other was by teaching painting and clay sculpting at the Center Academy of the Brooklyn Jewish Center.

Rothko also secured work with the Works Progress Administration.

6. He gained American citizenship on the 21st of February 1938. During this time, there was a growing threat of Nazism in Europe as well as talk of the forced deportation of Jewish Americans to the besieged continent.

It was during this time that Rothko changed his name from “Markus Rothkowitz” to “Mark Rothko”, to appear less Jewish to the people around him and thus protect himself from this danger.

7. By the end of the 1940s, Rothko had moved away from his linear works, automatism, and bio-morphism experiments and began to work with giant canvasses.

His works moved into colorful blurs until his compositions became the style known and revered by so many. These compositions, by this time, had become the two or three stacked rectangles Rothko is known for on bright and colorful backgrounds.

“Unknown adventures in unknown space” and freedom from “direct association with any particular, and the passion of organism” are the words used by the artist himself to describe the change.

8.Generally inhospitable towards his critics, Rothko was often highly protective of his legacy and artwork.

Once in 1942, Rothko had negative criticism was levied towards his surrealist work installed in a New York City Macy’s by the New York Times.

Rothko issued a response, where he said that his work ought to “insult anyone who is spiritually attuned to interior decoration.” His assertion was that he and fellow artist Adolph Gottlieb prefer and favor simple expressions of art and flatter forms since they destroy illusions and reveal the truth.

9. For much of his later artworks, Rothko provided directions for the proper viewing and analysis of these, seeking to provide a more meaningful viewing experience.

His suggestions note that viewers should stand about eighteen inches away from the work so that they can observe and enjoy the intimacy, immediacy, the authority of the individual and garner a deep sense of the unknown.

The works are designed to hang low, so the art faced the entirety of the person and only one- or two people’s presence should be allowed in the room to view the paintings, to give them complete engagement with his masterpieces.

10.In 1955, Rothko found himself with great financial success, as Fortune Magazine had referred to Rothko’s artwork as a worthwhile financial investment.

As a result of his success, his close friends Barrett Newman and Clyfford Still called him a traitor and a sell-out, which injured the artist and sent him into a deep state of depression.

Even despite having become a father with his second wife and received considerable success in the commercial sphere, Rothko descended further into his depression, as well as isolation and seclusion from others.

11. Rothko considered art to have a spiritual nature, and the Rothko Chapel perhaps represents the full and realized pinnacle of this truth.

The chapel was non-denominational, and the artist was commissioned by the founders of the chapel. His task was to decorate the interior of the reflective meditation space of the building’s unique octagonal shape.

In 1964-1967, Rothko filled the chapel with fourteen paintings. To accurately complete the works, he redesigned his Manhattan art studio to match the octagonal design of the chapel building, with lighting accurately reflected in the space.

Some of these works are the most somber and contemplative art ever produced by Rothko. Unfortunately, he died before his final works were installed and he never managed to see the completed building. The building stands as his last artistic effort and the complete culmination of his life’s work and beliefs.

12.The depression, isolation, and seclusion that overcame Rothko because of his friends’ abandonment were only worsened as a result of his bad drinking habits.

In 1970, Rothko killed himself by overdosing on barbiturates, a type of central nervous system depressant, and a cut to one of the arteries in his right arm using a razor blade. No suicide note was left by the artist.  

Conclusion:

It should be clear to us that much happened in Mark Rothko’s life, from its beginning to its tragic end.

Fortunately, all the artist’s work is saved for posterity, and looking back, it is easy to see the ways things could have been different for him, especially should his friends have supported him.

There is always much to learn about people in our history and many unknown facts that we have never heard about their lives and their work.

These unknown facts about Mark Rothko are interesting to read. Most of all, they provide valuable information and cause for reflection on the thoughts and the life of the man behind many of the famous artworks we have access to today. Also check out 12 Famous Paintings By Mark Rothko.

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It’s true to the core that art never dies, it constantly improves itself. So, below are the most famous paintings about Death in Art.

The Entombment of Christ by Caravaggio

The Entombment of Christ, a painting produced by Caravaggio between 1603 and 1604. The theme of death in art isn’t a rare occurrence, but this painting that is considered one of the most admired works of Caravaggio is a great example of how such deep aspects of life are important in depicting the key moments of history. In this painting, the dead Christ’s body is being carried by two men. It’s not a burial as Christ’s body is being laid on a stone slab but a moment of mourning as many believed God came to earth to reconcile humans with heavens.

Oath of the Horatii by Jacques Louis David

Oath of the Horatti is a painting produced by Jacques Louis David in 1784. This painting is best known for its Neoclassicim style around the world. There was a dispute between Roman and Alba longa warring cities who have agreed to send best three warriors from their cities. This painting depicts three brothers from Roman family saluting their father who is holding their sword.

The Death of Leonardo da Vinci by Jean Auguste Dominique Ingres

The Death of Leonardo da Vinci, a painting produced by Jean Auguste Dominique Ingres in 1818. This painting represents one of the greatest minds, resting in peace. The king of France, Francis I is shown holding Leonardo Da Vinci head and receiving his last words.

The Death of Socrates by Jacques Louis David

The Death of Socrates, a painting produced by Jacques Louis David in 1787. One of the main features of this painting is that it focuses on classical subjects. It depicts Socrates who was sentenced to death for introducing strange gods and corrupting the youth of Athens.

Andromache Mourning Hector by Jacques Louis David

Andromache Mourning Hector, a painting produced by Jacques Louis David in 1783. This painting is famous for one of the scenes used from antiquity. It depicts hector who has been killed by Achilles. Andromache is the wife who is mourning over his death and comforted by his child.

The Menaced Assassin by René Magritte

The Menaced Assassin, a painting produced by Rene Magritte in 1927. It is considered as one of the famous and theatrical works by Belgian surrealist artist René Magritte. The painting is about a nude woman whose body is lying on a couch smeared with blood while the assassins were about to leave the room.

Murdering Airplane by Max Ernst

Murdering Airplane is a painting produced by Max Ernst in 1920. For this painting, Max Ernst got inspiration from World War I events in which he also served as a fighter. This painting depicts a monstrous unrealistic airplane with human hands flying over a field.

Christ of Saint John of the Cross by Salvador Dali

Christ of Saint John of the Cross, a painting produced by Salvador Dali in 1951. The Spanish government got an offer of 127 million dollars for this painting but they rejected it. For this painting, the Spanish painter got inspiration from a dream in 1950, he saw the exact image of Christ in colors as drawn in this painting by him.

The Dying Swan by Vladimir Tretchikoff

The Dying Swan is a painting produced by Vladimir Tretchikoff in 1949. This painting is also well known around the world by the name “Alicia Markova The Dying Swan’. Alicia Markova was a lovable ballet girl who did perform the famous role of the Dying Swan. The South African painter loved her performance and hen decided to paint her.

The Surreal World of Salvador Dali

The Entombment by Michelangelo

The Entombment is a painting produced by Michelangelo between 1500 to 1501. This is an unfinished painting by the Italian artist who was going to depict the placing of the Christ body in the garden tomb through The Entombment.

The Physical Impossibility of Death in the Mind of Someone Living by Damien Steven Hirst

The Physical Impossibility of Death in the Mind of Someone Living is an artwork – probably one of the best contemporary installations around the theme of death in art – produced by Damien Steven Hirst in 1991. It is known for its true example of Contemporary and Conceptual art. A killer dead shark is kept in a tank filled with formaldehyde.

The Lictors Bring to Brutus the Bodies of His Sons by Jacques Louis David

The Lictors Bring to Brutus the Bodies of His Sons is a painting produced by Jacques Louis David in 1789. Many historians believed that the original title of this painting was Brutus returning home after having sentenced his sons for plotting a tarquinian restoration and conspiring against roman freedom, the Lictors burnt their bodies to be buried. The Lictors remains one of the greatest examples of death in art

Leonidas at Thermopylae by Jacques Louis David

Leonidas at Thermopylae is a painting produced by Jacques Louis David in 1814. The French painter was occupied for about fifteen years for Leonidas at Thermopylae painting. The Spartan king Leonidas preparing for combat is shown in this painting prior to the battle Thermopylae.

Where Do We Come From? What Are We? Where Are We Going? by Paul Gauguin

Where Do We Come From? What Are We? Where Are We Going? is a painting produced by Paul Gauguin between 1897 and 1898. There is an original title inscribed on the upper left corner of this painting in French as D’où Venons Nous / Que Sommes Nous / Où Allons Nous. This painting should be read from right to left according to French painter instead of left to right.

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