Amédée Ozenfant (1886–1966) was a French painter and theorist known for co-founding Purism, an art movement that sought to bring order and clarity to modern painting.

While he is not as widely known as some of his contemporaries, he created several influential works.

Here are 15 notable paintings by Ozenfant:

Here are more in-depth descriptions of 15 notable paintings by Amédée Ozenfant, elaborating on their composition, artistic philosophy, and significance.

1. Le Pichet Blanc (The White Pitcher)

This painting epitomizes Ozenfant’s Purist style, featuring a stark white pitcher against a muted background. The carefully balanced composition highlights the interplay between light and shadow, emphasizing the vessel’s cylindrical shape and smooth texture.

The simplicity of the subject matter conveys a sense of harmony and precision, reinforcing Purism’s focus on order and clarity.

2. Nature Morte (Still Life)

A quintessential still life in which everyday objects, such as bottles, glasses, and containers, are arranged with mathematical precision.

The restrained color palette and smooth, well-defined forms reflect Ozenfant’s belief that art should mirror the functional beauty of industrial design. The objects appear timeless and idealized, as though purified from the distractions of unnecessary detail.

3.Nature morte au verre de vin rouge (Still Life with Glass of Red Wine)

Ozenfant explores the contrast between solid and transparent materials by positioning a glass bottle alongside a drinking glass.

The careful rendering of reflections and refractions demonstrates his mastery of tonal variation. The painting exemplifies Purism’s insistence on depicting objects in their most refined, essential forms.

4. Le Verre (The Glass)

A single glass, stripped of decorative elements, is the sole focus of this composition. Through subtle shading and controlled lighting, Ozenfant transforms an everyday object into an icon of simplicity and modernist elegance. The painting emphasizes materiality, light interaction, and the purity of form.

5. Guitare et Bouteille (Guitar and Bottle)

This still life juxtaposes a musical instrument with a bottle, bridging the worlds of art and industry. Ozenfant’s approach to composition eliminates unnecessary embellishment, emphasizing the underlying geometric structure of each object.

The painting conveys a quiet, harmonious atmosphere, underscoring the Purist movement’s emphasis on clarity and functionality.

6. Nature Morte au Livre (Still Life with Book)

A book is included among the carefully arranged objects, introducing an element of intellectual symbolism. The painting conveys the idea that literature, like design, follows principles of order and structure.

The choice of a book as a subject suggests a reverence for knowledge and balance in both artistic and intellectual pursuits.

7. Maternity

Maternity by Amédée Ozenfant is a striking example of the Purist movement, which he co-founded alongside Le Corbusier.

The painting embodies Ozenfant’s signature approach—clean, geometric forms, a restrained color palette, and a deep sense of balance and order.

The composition likely presents the theme of motherhood through a modernist lens, reducing the human form to essential shapes and harmonious proportions.

The use of soft yet structured curves might suggest nurturing and protection, while the interplay of light and shadow enhances the sense of depth and purity.

By stripping away unnecessary detail, Ozenfant conveys the universality of maternity, aligning it with his belief in simplicity and clarity as the foundations of aesthetic beauty.

Through Maternity, Ozenfant transforms an intimate, timeless subject into an expression of modern harmony, highlighting the intersection of human experience and artistic idealism.

The painting stands as a testament to his Purist vision—where form and function merge seamlessly to evoke emotion and meaning.

8. Adam at Eve

“Adam at Eve” by Amédée Ozenfant is a refined exploration of form, balance, and purity, reflecting the core principles of the Purist movement.

9.Pacifique III

“Pacifique III” is a striking representation of Ozenfant’s dedication to form, structure, and harmony. The painting likely features a composition dominated by simplified geometric shape, carefully arranged to evoke a feeling of stability and balance

10. Nature Morte Puriste (Purist Still Life)

This painting serves as a manifesto of Purism, featuring an assortment of bottles, glasses, and pitchers arranged in an orderly manner.

The objects are depicted with smooth surfaces and well-defined contours, stripped of decorative excess. The emphasis on geometric precision and clean lines reflects Ozenfant’s commitment to the ideals of modernity and simplicity.

11. Le Vase (The Vase)

A single vase dominates the canvas, its elegant shape highlighted through careful attention to light and shadow.

Ozenfant’s focus on essential forms makes the vase appear timeless, as though it were a mass-produced yet perfectly designed object.

The restrained color palette reinforces the painting’s sense of clarity and sophistication.

12. Nature Morte à la Carafe (Still Life with Carafe)

A carafe is placed among other domestic items, emphasizing its transparency and curvature. Ozenfant carefully studies how light interacts with the glass surface, demonstrating his mastery of rendering different materials. The painting captures a moment of stillness, with each object carefully positioned to achieve visual balance.

13. Duplicate

This work embodies the principles of Purism through an arrangement of objects that adhere to strict geometric proportions. The smooth, polished surfaces and calculated spacing between objects convey a sense of order and clarity. Ozenfant’s controlled use of color and shading enhances the sense of depth and material realism.

14. Composition Purist

This artwork demonstrates Ozenfant’s focus on presenting objects clearly, emphasizing their essential form and function.

15. Sisteron

Ozenfant created the notable painting “Sisteron” in 1928. It showcases his characteristic style, emphasizing clarity and precision.

Conclusion

Ozenfant’s paintings are a testament to the Purist movement’s principles, emphasizing clarity, order, and the beauty of everyday objects. By stripping away unnecessary details and focusing on form, light, and structure, he sought to create art that was both intellectually rigorous and visually harmonious. His work influenced modern design, architecture, and art theory, leaving a lasting impact on 20th-century aesthetics.

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Here, is a list of 25 Most Famous Renaissance Paintings.

Annunciation by Leonardo Da vinci

Annunciation is a painting produced by Leonardo Da vinci between 1472 and 1475. In this painting, the scene depicts the angel on the left, the Virgin on the right (Mary) and a lectern in between them. It can be viewed at Uffizi Gallery in Florence, Italy.

Doni Tondo by Michelangelo Buonarroti

Doni Tondo is a famous painting produced by Michelangelo Buonarroti between 1506 and 1507. This painting is also called as “The Holy Family“. It is believed that this painting was inspired by Leonardo da Vinci, The Virgin and Child with St.Anne.

Assumption of Virgin by Titian

Assumption of Virgin is a large painting produced by Titian between 1516 and 1518. Titian divided the work into three sections Upper, middle and lower. This painting can be viewed at Basilica di Santa Maria Gloriosa dei Frari, Venice.

Virgin of the Rocks by Leonardo da Vinci

Virgin of the Rocks is a painting produced by Leonardo da Vinci between 1483 and 1486. This painting depicts the Madonna and Child Jesus with the infant John the Baptist and an angel on a rocky destination. It can be viewed at The Louvre in Paris.

The Entombment of Christ by Caravaggio

The Entombment of Christ is a painting produced by Caravaggio between 1603 and 1604. In this painting, two men carry the body of Christ identified as John the Evangelist and Nicodemus. The work can be viewed at Pinacoteca Vaticana in Vatican City.

Diana and Actaeon by Titian

Diana and Actaeon is a painting produced by Titian between 1556 and 1559. The Italian artist produced seven large mythologies in canvas from 1549 to 1562 for King Philip II of Spain. The work can be viewed at National Gallery in London.

Venus of Urbino by Titian

Venus of Urbino is a painting produced by Titian in 1538. The Italian painter depicts a nude young woman which reminds her marital obligations of what she would have to fulfill to her husband. The work can be viewed at Galleria degli Uffizi in Florence.

The Last Supper by Leonardo da Vinci

The Last Supper is a famous renaissance painting produced by Leonardo da Vinci between 1495 and 1498. The painting was commissioned by Ludovico Sforza Il Moro, Duke of Milan and patron of artists. It can be viewed at Convent of Santa Maria delle Grazie, Milan, Italy.

Mona Lisa by Leonardo da Vinci

Mona Lisa is a painting produced by Leonardo Da Vinci around 1504. The painting’s subject is Lisa Gherardini, whose wealthy husband Francesco Del Giocondo commissioned the work. This painting by the Italian artist can be viewed at Museum Louvre, Paris.

Bacchus and Ariadne by Titian

Bacchus and Ariadne is a painting produced by Titian between 1522 and 1523. The painting depicts the story of Ariadne, daughter of King Menos of Crete, who got left in the island by her lover Theseus. This painting can be viewed at National Gallery, London.

The Birth of Venus by Sandro Botticelli

The Birth of Venus is a painting produced by Sandro Botticelli in 1480s. The assumption is that the painting was commissioned by a member of the Medici family, for the walls of the bedroom. The work can be viewed at Uffizi Gallery, Florence, Italy.

The Sistine Madonna by Raphael

The Sistine Madonna is a painting produced by Raphael in 1512. In this painting, Madonna was holding the Christ Child and Saint Sixtus humbly looks at the Madonna while with his right hand pointing towards upward direction.

The School of Athens by Raffaello Sanzio

The School of Athens is a painting produced by Raffaello Sanzio between 1509 and 1511. This painting depicts all the greatest scientists, philosophers, and mathematicians which were gathered together for sharing their ideas and learning from each other.

The Virgin and Child with St. Anne by Leonardo Da Vinci

The Virgin and Child with St. Anne is a painting produced by Leonardo Da Vinci around 1503. In this painting, the Italian artist depicts St Anne, her daughter the Virgin Mary and the infant Jesus. This painting can be viewed at The Louvre in Paris.

Arnolfini Portrait by Jan van Eyck

Arnolfini Portrait is a painting produced by Jan van Eyck in 1434. It is also known as The Arnolfini Wedding, The Arnolfini Marriage, the Portrait of Giovanni Arnolfini and his Wife. The painting can be viewed at National Gallery, London.

The Baptism of Christ by Andrea del Verrocchio

The Baptism of Christ is a famous renaissance painting produced by Andrea del Verrocchio in 1475. In this painting, The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. This painting can be viewed at Uffizi Gallery in Florence.

The Garden of Earthly Delights by Hieronymus Bosch

The Garden of Earthly Delights is a painting produced by Hieronymus Bosch between 1490 and 1510. Many Art historians frequently interpret the painting as a didactic warning on the perils of life’s temptations. The painting can be viewed at Museo del Prado in Madrid.

Lady with an Ermine by Leonardo da Vinci

Lady with an Ermine is a painting produced by Leonardo da Vinci between 1489 and 1490. Leonardo was in the service of the duke and the subject of the portrait is Cecilia Gallerani, painted at a time when she was the mistress of Ludovico Sforza, Duke of Milan.

Flagellation of Christ by Piero della Francesca

Flagellation of Christ is a painting produced by Piero della Francesca between 1455 and 1460. Kenneth Clark placed this painting in his personal list of the best ten paintings and called it the greatest small painting in the world. This painting can be viewed at Galleria Nazionale delle Marche, Urbino.

Lamentation of Christ by Andrea Mantegna

Lamentation of Christ is a painting produced by Andrea Mantegna in 1480. It is also known as Lamentation over the Dead Christ or the Dead Christ. The painting can be viewed at Pinacoteca di Brera in Milan.

Adoration of the Magi by Leonardo da Vinci

Adoration of the Magi is a painting produced by Leonardo da Vinci in 1481. The commission of this painting was given by the Augustinian monks of San Donato a Scopeto in Florence. This painting can be viewed at Uffizi Gallery in Florence.

Portrait of a Man by Jan van Eyck

Portrait of a Man is a painting produced by Jan van Eyck in 1433. It is also known as Portrait of a Man in a Turban or Portrait of a Man in a Red Turban. The painting can be viewed at National Gallery in London.

The Ambassadors by Hans Holbein the Younger

The Ambassadors is a painting produced by Hans Holbein the Younger in 1533. This painting was created in the Tudor Period in the same year Elizabeth I was born. The painting can be viewed at National Gallery in London.

The Burial of the Count of Orgaz by El Greco

The Burial of the Count of Orgaz is a painting produced by El Greco in 1586. This painting was commissioned by Andrés Núñez, the parish priest of Santo Tome, for the side-chapel of the Virgin of the church of Santo Tome. This painting can be viewed at Iglesia de Santo Tomé, Toledo, Spain.

The Wedding at Cana by Paolo Veronese

The Wedding at Cana is a painting produced by Paolo Veronese in 1563. This painting depicts the Bible story of the Marriage at Cana, a wedding banquet at which Jesus converts water to wine. This painting can be viewed at The Louvre in Paris.

You may like to read – 25 Most Famous Impressionist Paintings

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As we embark on a journey through Dali’s surreal masterpieces, we find ourselves grappling with the question: What is art? Art, in its purest form, transcends boundaries and challenges conventional perceptions. Dali, as a prominent surrealist artist, pushes the limits of artistic expression, inviting us into a realm where imagination reigns supreme.

Hear the word Surrealism and Salvador Dalí will most likely spring to mind—if not the artist himself, then certainly his signature icon of a melting watch.

The influence of Goya’s dark paintings can be seen in Dalí’s ability to evoke a sense of unease and fascination through his surreal and enigmatic imagery. Dali’s paintings, with their dreamlike imagery and enigmatic symbolism, transport us to the depths of the unconscious mind.

These paintings can be viewed at the Museum of Modern Art, Art Institute of Chicago.

Morphological Echo

Morphological Echo is a painting produced by Salvador Dali between 1934 and 1936. The Spanish painter painted the second version of this painting in 1936. Morphological Echo consists of several surrealist images which include a wall with a bell at a far distance and a strange eroded rock.

The Persistence of Memory

The Persistence of Memory is a painting produced by Salvador Dali in 1931. This painting is best known for its Surrealism style and is also known by the name Melting Clocks. The theme of this painting is time which is painted in different meanings representing that time is melting.

The Persistence of Memory” demonstrates that what is  beauty in art can extend beyond traditional notions of visual appeal. It showcases the beauty of the unexpected, the unconventional, and the thought-provoking. By defying conventional expectations and inviting viewers to question their preconceived ideas, the artwork challenges our understanding of beauty and expands our appreciation for the diverse ways in which art can be beautiful.

The Disintegration of the Persistence of Memory

The Disintegration of the Persistence of Memory is a painting produced by Salvador Dali between 1952 and 1954. The Spanish painter recreated this painting from a painting painted in 1931 named The Persistence of Memory. The original name of this painting is The Chromosome of a highly colored Fish’s Eye Starting the Harmonious Disintegration of the Persistence of Memory.

Metamorphosis of Narcissus

Metamorphosis of Narcissus is a painting produced by Salvador Dali in 1937. This painting from the French artist is from a Paranoiac critical period. Narcissus loved only himself and in doing so he broke many hearts and this great beauty of his is represented in this painting.

Slave Market with the Disappearing Bust of Voltaire

Slave Market with the Disappearing Bust of Voltaire is a painting produced by Salvador Dali in 1940. This painting is the most effective painting of Salvador Dali which represents a double image. A slave market is shown and a group of figures moving gives an illusion of Voltaire’s head.

The Hallucinogenic Toreador

The Hallucinogenic Toreador is a painting produced by Salvador Dali between 1968 and 1970. This painting was exhibited the same year of 1970 when it was completed. The painting is assumed to be submerged in the colors of the national flag of Spain.

Christ of Saint John of the Cross

Christ of Saint John of the Cross is a painting produced by Salvador Dali in 1951. The name of this painting was based on an earlier painting named John of the Cross of the 16th century as their drawing were similar to each other.

The Temptation of St. Anthony

The Temptation of St. Anthony is a painting produced by Salvador Dali in 1946. This painting by the Spanish artist is best known by the name Dalí Renaissance. A group of elephants with horses is shown approaching St. Anthony.

Cabaret Scene

Cabaret Scene is a painting produced by Salvador Dali in 1922. This painting is famous for its Cubist influence and the Spanish painter experimented for the first time with this painting. Dali got the inspiration for this painting from Pablo Picasso painting.

The Great Masturbator

The Great Masturbator is a painting produced by Salvador Dali in 1929. This painting was very close to the artist as he wanted to keep this painting in his collection at Dalí Theatre and Museum in Figueres.

Swans Reflecting Elephants

Swans Reflecting Elephants is a painting produced by Salvador Dali in 1937. This painting belongs to the Dali’s Paranoiac critical period. In this painting, three Swans are shown near the leafless trees, and the reflection of them from below water is also shown beautifully.

The Burning Giraffe

The Burning Giraffe is a painting produced by Salvador Dali in 1937. The Spanish painter painted this painting just before he was exiled from the US from 1940 to 1948. This painting is all about Dali’s struggle when he was exiled to the US and battled from his home country.

Illumined Pleasures

Illumined Pleasures is a painting produced by Salvador Dali in 1929. Dali managed to compress many things in this painting so he justified the reason for being called the great talent of miniaturism. Dali’s middlebox is similar to other paintings like The Great Masturbator and a self-portrayed of himself.

The Elephants

The Elephants is a painting produced by Salvador Dali in 1948. The elephant is a subject that Dali used in many of these paintings like Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening and also in The Temptation of Saint Anthony and Swans Reflecting Elephants.

Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening

Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening is a painting produced by Salvador Dali in 1944. Dream Caused by the Flight of a Bee is a short and alternative title given to this painting.

Atavistic Vestiges After the Rain

Atavistic Vestiges After the Rain is a fascinating painting by Salvador Dalí. Created in 1934, it’s a surreal masterpiece showcasing his dreamlike and eccentric style. The artwork features distorted humanoid figures and symbolic elements, reflecting Dalí’s exploration of the subconscious and his fascination with the irrational and fantastical.

Venus de Milo with Drawers

Venus de Milo with Drawers is a striking sculpture by Salvador Dalí. Created in 1936, it ingeniously transforms the classical Venus de Milo statue into a surreal piece by adding drawers to her torso. This work exemplifies Dalí’s fascination with the subconscious and the unexpected, blurring the lines between art and functionality.

Galatea of the Spheres

 

Galatea of the Spheres is a 1952 masterpiece by Salvador Dalí. This artwork features his wife, Gala, in a surreal, fragmented form, composed of countless spheres. It’s a testament to Dalí’s fascination with the atomic and the microscopic, representing his belief in the interconnectedness of all things, both physical and metaphysical.

The Grand Inquisitor

The Grand Inquisitor (1930) is a surreal Salvador Dalí artwork. It portrays an imposing, distorted figure. The painting reflects his fascination with religious themes and authority anxiety. Dalí’s signature dreamlike quality is evident in the unsettling portrayal, provoking reflection on the power dynamics and spiritual tensions of his era.

Profile of Time

Profile of Time by Salvador Dali (1934) is a surrealistic masterpiece. This painting features a distorted, melting clock draped over a distorted face, symbolizing Dalí’s fascination with time’s fluid nature. The image captures the relativity of time and its malleable, dreamlike quality, a hallmark of Dalí’s exploration of the subconscious and reality.

Portrait of Gala

Portrait of Gala (1935) is a portrait of Salvador Dalí’s beloved wife and muse, Gala. This painting showcases her enigmatic beauty with meticulous detail and a dreamlike quality. The intense focus on Gala’s face reflects Dalí’s deep affection for her and his exploration of the surreal and the subconscious.

Apparition of Face and Fruit Dish on a Beach

Apparition of Face and Fruit Dish on a Beach (1938) is a surreal masterpiece by Salvador Dalí. In this painting, a distorted face emerges from a barren landscape with a dish of pears in the foreground. It embodies Dalí’s fascination with distorted realities, dreams, and the enigmatic nature of the subconscious mind.

The Enigma of Hitler

The Enigma of Hitler (1939) is a striking Salvador Dalí artwork that juxtaposes the face of Adolf Hitler with a distorted, amorphous form. Dalí’s unsettling portrayal is a commentary on the enigmatic and dangerous nature of Hitler’s power, reflecting his apprehensions during the era leading up to World War II.

Sleep

Sleep (1937) is a Salvador Dalí painting portraying a dreamlike scene with distorted and intertwined figures. Dalí explores the subconscious with this surreal composition, highlighting the hidden desires and anxieties of the human mind. The haunting, ethereal quality of the work is characteristic of his artistic vision and fascination with dreams.

The Discovery of America by Christopher Columbus

The Discovery of America by Christopher Columbus (1959) is one of Salvador Dalí’s historical masterpieces. In this artwork, he reimagines Columbus’s arrival in the Americas with striking surrealism. Elephants, obelisks, and distorted figures occupy the seascape, reflecting Dalí’s desire to blend historical themes with his signature surreal and dreamlike style, provoking contemplation and intrigue.

The Meditative Rose

The Meditative Rose (1958) by Salvador Dalí is a captivating artwork that combines precision and dreamlike qualities. In this painting, a delicate rose emerges from a geometrical form, symbolizing the coexistence of rationality and emotion. Dalí’s meticulous technique and symbolic depth make it a compelling representation of the surreal.

Alice in Wonderland

Alice in Wonderland (1969) is Salvador Dalí’s series of illustrations for Lewis Carroll’s classic book. His whimsical, surreal interpretations add new dimensions to the story. Dalí’s dreamlike and eccentric visuals infuse the familiar tale with an added layer of mystery and wonder, enhancing the story’s fantastical nature.

The Dream

The Dream (1931) by Salvador Dalí is a surrealistic masterpiece. It depicts a barren landscape, with a distorted face emerging from the ground and a distorted figure in the background. Dalí’s painting explores the depths of the subconscious mind, with dreamlike, irrational, and symbolic elements, revealing the influence of Freudian thought on his work.

Landscape with Butterflies

Landscape with Butterflies (1956) is a Salvador Dalí painting that combines traditional landscape elements with dreamlike surrealism. It features a barren and desolate landscape with distorted and vibrant butterflies. This juxtaposition captures the tension between reality and the imagination, a recurring theme in Dalí’s work, conveying a sense of otherworldly beauty.

The Ants

The Ants (1936) is a Salvador Dalí artwork that offers a surreal and disconcerting scene. It features melting watches overrun by swarming ants, symbolizing the relentless march of time and decay. Dalí’s use of vivid imagery and his preoccupation with time and decay are evident, reflecting the influence of Freud’s psychoanalytic theories on his work.

Daddy Longlegs of the Evening

Daddy Longlegs of the Evening—Hope! (1940) is a Salvador Dalí artwork that combines surrealism with meticulous detail. It portrays a distorted, spindly-legged creature in a barren landscape. The painting reflects Dalí’s interest in the unsettling and the enigmatic, blending precise technique with dreamlike symbolism, inviting viewers to contemplate its underlying meaning.

The Old Age of William Tell

The Old Age of William Tell (1938) is a Salvador Dalí painting that reimagines the legendary Swiss folk hero. In this surreal composition, Tell’s head is portrayed as a decaying structure, symbolizing the passage of time and aging. Dalí’s work combines precise detail with a dreamlike quality, creating a thought-provoking depiction of mortality and myth.

Still Life Moving Fast

Still Life Moving Fast (1956) is a remarkable Salvador Dalí artwork. It defies reality by portraying a static still life set in a state of rapid, chaotic motion. Dalí masterfully captures the tension between the frozen and the dynamic, blurring the line between the tangible and the surreal, emblematic of his distinctive style.

The Invisible Man

The Invisible Man (1932) is a Salvador Dalí painting that embodies the themes of transformation and illusion. It depicts a figure rendered almost transparent, representing the idea of invisibility. This surreal work is a testament to Dalí’s exploration of the subconscious and the mysterious forces that shape human perception and identity.

The Angel of Port Lligat

The Angel of Port Lligat (1952) is a captivating Salvador Dalí artwork. It portrays a heavenly figure with a distorted, elongated face and radiant aura, set against a dreamlike seascape. Dalí’s meticulous technique, juxtaposed with surreal elements, embodies his fascination with spiritual and transcendental themes, making it a thought-provoking piece.

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano (1936) is a Salvador Dalí painting that epitomizes his absurd and enigmatic style. This artwork features a chemist delicately handling a piano’s cuticle, inviting viewers to ponder the irrational and explore the boundary between the ordinary and the bizarre.

The Birth of Liquid Desires

The Birth of Liquid Desires (1932) is a surreal painting by Salvador Dalí. In this work, fluid, organic forms intermingle, evoking a sense of primal creation and desire. Dalí’s intricate detail and dreamlike imagery explore the depths of the subconscious, representing the flow of human emotions and desires in a unique and thought-provoking way.

The Poetry of America

The Poetry of America (1943) by Salvador Dalí captures the essence of the United States through a dreamlike lens. The painting portrays an amalgamation of American symbols, from the Statue of Liberty to a distorted American map. Dalí’s surrealism here reflects his interpretation of the nation’s cultural and political landscape, offering a unique perspective on American identity.

Young Woman in a Landscape

Young Woman in a Landscape (1923) is an early Salvador Dalí painting reflecting his transition from Impressionism to Surrealism. It portrays a female figure in a dreamy landscape with a softened, ethereal quality. The work hints at Dalí’s evolving fascination with the subconscious and foreshadows the surrealistic style he would later embrace.

Surrealist Composition with Invisible Figures

Surrealist Composition with Invisible Figures is a Salvador Dalí artwork showcasing his mastery of optical illusions. Created in 1936, it combines seemingly abstract shapes and figures that emerge when viewed from a specific angle. Dalí’s fascination with the subconscious mind is evident in this playful exploration of hidden meanings and illusions.

Portrait of Pablo Picasso

Portrait of Pablo Picasso is Salvador Dalí’s 1947 tribute to the fellow iconic artist. It portrays Picasso with a distorted, elongated face, capturing the essence of both friendship and rivalry between the two masters. The painting reflects Dalí’s eccentric style and his deep connection to the art world.

The Sistine Madonna

The Sistine Madonna (1958) by Salvador Dalí is a surreal reinterpretation of Raphael’s iconic Renaissance painting. Dalí replaces the original cherubs with distorted, elongated figures, adding his signature dreamlike quality. This revision highlights the tension between the classical and the surreal, offering a unique and thought-provoking perspective on an artistic masterpiece.

Galacidalacidesoxyribonucleicacid

Galacidalacidesoxyribonucleic acid (1963) is a Salvador Dalí painting with a complex title. In this work, Dalí explores his fascination with DNA and molecular structures, rendering an intricate and enigmatic composition. It reflects his obsession with the intersection of science and art, blending detailed precision with surreal elements, provoking contemplation and intrigue.

Study for The Dream of Venus

Study for The Dream of Venus is a preparatory sketch by Salvador Dali for his 1939 Surrealist installation at the World’s Fair in New York. This work offers a glimpse into Dali’s eccentric and dreamlike vision, featuring distorted figures and aquatic elements, showcasing his fascination with the subconscious and the bizarre.

The First Days of Spring

The First Days of Spring (1929) is an early Salvador Dalí painting. It displays the influence of Impressionism  with a soft, dreamlike landscape and figure. This work hints at Dalí’s artistic transition, later exploring the subconscious and surrealism while maintaining a delicate and harmonious quality.

Swans Reflecting Elephants by Salvador Dalí

Swans Reflecting Elephants is a mesmerizing painting by Salvador Dalí, created in 1937. In this surrealist masterpiece, swans on a tranquil lake mirror elephants, blurring the lines between reality and dreams. It’s a profound exploration of the subconscious mind and the transformative power of artistic interpretation.

Gala Contemplating the Mediterranean Sea by Salvador Dalí

Gala Contemplating the Mediterranean Sea is a captivating Salvador Dalí artwork from 1976. It features Dalí’s wife, Gala, gazing at the sea. The painting is a double image, revealing a portrait of Abraham Lincoln when viewed from a distance. It exemplifies Dalí’s fascination with the unconscious mind and optical illusions.

The Sacrament of the Last Supper by Salvador Dalí

The Sacrament of the Last Supper (1955) is a Salvador Dalí masterpiece. It’s a surreal and symbolic interpretation of the biblical Last Supper, where distorted figures and an elongated Christ levitate over a distorted landscape. Dalí’s meticulous details and dreamlike symbolism showcase his unique approach to religious themes and mysticism.

Galatea of the Spheres by Salvador Dalí

Galatea of the Spheres (1952) is a Salvador Dalí painting that depicts his wife, Gala, in a fragmented and spherical form. The artwork showcases Dalí’s fascination with atomic and subatomic particles, merging reality with the surreal. It’s a testament to his skill in blending classical art with innovative, scientific themes.

Lobster Telephone  by Salvador Dalí

Lobster Telephone (1936) is a striking example of Salvador Dalí’s surreal and whimsical art. It combines two seemingly unrelated objects, a telephone, and a lobster, playfully and absurdly. This iconic work challenges our perceptions of reality and humorously explores the unexpected connections between everyday objects and the imagination.

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You may like to read – 15 Most Famous Jackson Pollock Paintings

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Konchalovsky became interested in painting after attending an art school in Kharkiv at the tender age of eight. Once his father was released from prison the family moved to Moscow where his father began publishing literature once more. 

He chose many well-known artists to illustrate these publications, many of whom would visit the Konchalovsky home frequently. This led to their home being a hub of art and creativity which became an important part of Konchalvsky’s upbringing. This is what ultimately led to him deciding to become an artist. 

From the age of 20-22 Konchalovsky lived in Paris where he studied at the Academie Julian. This helped him to advance his skills drastically before he moved back to Moscow to study at the Academy of Arts. 

In 1907, at the age of 31, Konchalovsky graduated from the Academy of Arts. Although his art was held in high praise by his contemporaries, the artist himself wasn’t satisfied with his work. 

He felt his work lacked individual style. He was known for often destroying his work before it was finished due to a belief that he couldn’t create a masterpiece. 

This changed when Konchalovsky visited a Van Gogh exhibition in Paris. Van Gogh’s work influenced him greatly and the artist is quoted as saying “Van Gogh gave me the understanding of painting as art”. Van Gogh’s influence would be very noticeable in Konchalovsky’s work for the next three years.   

In 1909, Konchalovsky co-founded a group of artists known as the “Jack of Diamonds”. The intention of the group was to challenge societal norms by denying academic traditions. They were full of praise for post-impressionist, cubist, and Fauvist painters. In a nutshell, the group existed to oppose the traditions of society and went on to become one of the biggest groups of early Russian avant-garde. 

Starting in 1909, Konchalovsky exhibited his work frequently, but it wasn’t until 1922 that he held his first solo exhibition at the Tretyakov Gallery. During this period he was painting mostly landscapes and still lifes. Like the rest of the Jack of Diamonds, his work was heavily influenced by Paul Cézanne, a French post-impressionist painter. Later on, in life, Konchalovsky began painting portraits that are considered to be in the Social Realism style.   

Konchalovsky’s painting style consisted of simple compositions and details with thick colors. Many critics believe that he mixed his paints with clay instead of oil which would’ve contributed to this color thickness. 

Konchalovsky avoided historical paintings, stating that he preferred to prove his patriotism in practice instead of on canvas. 

Konchalovsky died in 1956. 

1. Bullfighting Amateur

‘Bullfighting amateur’ was created in 1910 by Pyotr Konchalovsky in Fauvism style.

2. Portrait Of Daughter

‘Portrait of S. P. Konchalovsky with her daughter’ was created in 1916 by Pyotr Konchalovsky in Expressionism style.

3. Self-portrait

Self-portrait and portrait of Pyotr Konchalovsky are some of the artworks by Ilya Mashkov.

4. Scheherazade

‘Scheherazade’ was created in 1917 by Pyotr Konchalovsky in Fauvism style.

5. At Summer

‘At summer’ was created in 1939 by Pyotr Konchalovsky in Socialist Realism style.

6. Still Life. Currants on a sieve

‘Still Life. Currants on a sieve.’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

7. Roses

‘Roses’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

8. Roses and Asparagus

‘Roses and asparagus’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

9. Spring Day

‘Spring Day’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

10. Still Life With Flowers

‘Still Life with Flowers’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

11. Jasmine Bush

‘Jasmine bush’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

12. Poppies

‘Poppies’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

13. Lilacs in a Purse on the Floor

‘Lilacs in a purse on the floor’ was created in 1955 by Pyotr Konchalovsky in a Realism style.

14. Gardener

‘Gardener’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

15. Girl With a Fan

‘Girl with a Fan’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

16. Girl From Arles

‘Girl from Arles’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

17. Flower in a high Vase

‘Flowers in a high vase.’ was created in 1908 by Pyotr Konchalovsky in Post-Impressionism style.

18. Study

‘Study’ was created in 1951 by Pyotr Konchalovsky in a Realism style.

19. Oranges

‘Oranges’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

20. Palm Trees and Geranium

‘Palm trees and geranium’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

21. South of France. Palma

‘South of France. Palma.’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

22.  Tulips

‘Tulips’ was created in 1908 by Pyotr Konchalovsky in the Post-Impressionism style.

23. Flower Garden

‘Flower-garden’ was created in 1909 by Pyotr Konchalovsky in the Post-Impressionism style.

24. Bullfight

‘Bullfight’ was created in 1910 by Pyotr Konchalovsky in Expressionism style.

25. Grenada

‘Grenada’ was created in 1910 by Pyotr Konchalovsky in the Post-Impressionism style.

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The Scream exhibits the horrors of everyday life, ransacked with fear, anxiety, and uncertainty. It is considered the ‘Mona Lisa’ of its era, and since its origin has made waves in the artistic world, so what are some of the unknown facts about “The Scream”

Edvard Munch was a Norwegian artist born in 1863. He lived to reach 80 years and painted several pieces of art drawing on despairing themes of death, love, sadness, and fear. Munch remained relevant to date and even we see a lot of his artworks in modern wall art space

Munch faced many tragic deaths of his family members growing up and was constantly afflicted with depression.

Perhaps that’s why his dejected state was quickly reflected in his works. 

1. What’s in a name? 

The initial title of the painting was not termed “The Scream”. Its original German name was called “Der Schrei der Natur” which translates to “The Scream of Nature”. Munch disclosed the rationale of the name in a poem behind the pastel frame.

In his prose, he spoke about a melancholic evening with friends and an onset of anxiety under the setting sun. In truth, the figure was covering his or her ears from the shrieking surroundings. 

2.Fourth Time’s a Charm

Munch painted four different versions of The Scream. The first painted version was showcased in Oslo in the year 1893. Later the same year, he painted a pastel version. In 1895, he worked on another detailed pastel version and finally, the last painted piece that dates back to 1910.

He created a lithographic print which enabled him to mass-produce and sell many monochromatic versions. In 1984, Andy Warhol was commissioned to create an ignited pop art version of The Scream which sustained its popularity even in the 20th century.

3.Robberies and recoveries

The Scream has been stolen twice over the years. February 1994 was quite an eventful month for Norway. Preps were underway for the opening of the Winter Olympics in Lillehammer. It was also the same day Oslo’s National Gallery was broken into. Thieves absconded with the painting and left a note that read “Thanks for the poor security”.

The investigation continued for 3 months before the painting was discovered and 4 men were convicted of robbery. In 2004, armed robbers escaped with the 1910 version of The Scream from the Munch Museum in Oslo in broad daylight.

Two years later, the painting was recovered and 6 men went on trial for the theft but while only 3 of them were sentenced by the court. 

4.Mars to the rescue!

Mars, Inc. stepped forward to play a part in the recovery efforts during 2006. Picking up on the timing, they exercised a marketing ploy to promote M&Ms the new dark chocolate flavor. The TV commercial showed the red M&M playing hopscotch with the painting. Furthermore, a reward of 2 million M&Ms was offered for the retrieval of the picture.

Funnily enough, the temptation seemed to have overridden one of the perpetrators’ desire to keep the painting. He disclosed the whereabouts of the artwork in exchange for conjugal visits and 2.2 tonnes of M&Ms. Mars thought it best to grant the prize to the Norwegian authorities who requested that the cash amount be donated to Munch M-useum.

5.The Scream in pop culture

The painting has made its way into 21st-century pop culture, particularly in films and television. The writers of the British sci-fi legacy show “Doctor Who” were greatly influenced by the protagonist of The Scream, as confirmed by Executive producer Steven Moffat. They invented eerie creatures called The Silence with very similar physical characteristics that first made an appearance in the 11th Doctor’s era in 2011. Wes Craven, the director of hit slasher movie “Scream”, confirms the famous killer mask to be a byproduct of his love for Munch’s artwork. That mask has now become a top-of-the-mind symbol for just about all living individuals.

6.Hinting Suicide?

According to Sue Prideaux, author of Edvard Munch: Behind the Scream, Munch painted The Scream during a very distressing time in his life. It was believed that he was destitute, fresh out of a futile relationship, and worried about harboring a mental illness that was prevalent in his family.

It may also not come as a surprise that the bridge depicted behind the screamer was an actual spot for jumpers. Coincidentally, it was a stone’s throw from a slaughterhouse and an asylum for the insane where his schizophrenic sister was admitted. 

7.The screamer a Peruvian mummy?

Right about the time The Scream was created, a mysterious mummified figure was discovered near the Utcubamba River in Peru’s Amazonas region.

The mummy was identified as one of the Chachapoya warriors, also known as “warriors of the clouds”, that lived in the 16th century and belonged to the region of modern-day Peru. The mummy’s hands were also found on either side of a shrieking mouth, freakishly like the screamer’s depiction. 

8.Record high sale at auction

At an auction held at Sotheby, London in 2012, the pastel version of The Scream was sold for a whopping $120 million, making it the most costly piece of artwork ever to be sold at an auction at that time.

The gentleman who bought the artwork was an American investor and art collector by the name Leon David Black.

9.An emotional connection

Harvard neurobiology professor Margaret Livingstone, through her studies performed on macaque monkeys, states a finding that the brain is more likely to respond to exaggerated faces like the screamer’s tortured look of shock.

She provides a rationale for why we connect to emotional expressions highlighting “it’s what our nerve cells are attuned to”.

10.The Scream lies in the public domain

All of Munch’s works, including The Scream, are in the public domains of nations that observe the ‘life plus 70 years’ copyright term. Munch was deceased in 1944 so 2015 marks the year his works were released into the public domain of Brazil, Israel, Nigeria, Russia, Turkey, and those within the European Union. It was already considered public domain in the US.

Conclusion:

Well, these are some of the unknown facts about The Scream. So many truths and possibilities behind a single expression! The Scream holds an intriguing mystery that draws viewers is based on a seemingly strange but relatable association. The picture is an unfiltered display of our very own state of mind.

The shaded curves in various directions resemble a vortex-like appearance that pulls in the observer in Munch’s personal reality.    

The Scream will always remain a classic masterpiece and an apt representation of the symbolist and expressionist movements of the 19th and early 20th centuries. Also, check out Der Schrei der Natur (The Scream of Nature)  [html_block id=”12849″] 

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Doni Tondo

Doni Tondo is a painting produced by Michelangelo Buonarroti between 1506 and 1507. This painting by the Italian artist was also widely known by the name “The Holy Family” and was completed by Michelangelo without the help of his assistants.

The Moses

The Moses is a sculpture produced by Michelangelo Buonarroti between 1513 and 1515. The sculpture can be viewed at the church of San Pietro in Vincoli in Rome. Michelangelo depicts Moses with horns on his head and the sculpture was Commissioned by Pope Julius II for his tomb in 1505.\

The Entombment

The Entombment is a painting produced by Michelangelo between 1500 and 1501. This is an unfinished painting by the Italian artist in which Jesus body is being placed in a garden’s tomb. This painting can be viewed at National Gallery in London.

David

David is a sculpture produced by Michelangelo di Lodovico Buonarroti Simoni between 1501 and 1504. Michelangelo’s artwork, David, is a representation of what is beauty in art. This sculpture was regarded as one of the most famous sculptures of Renaissance. This painting can be viewed at Accademia di Belle Arti di Firenze in Florence, Italy.

The Sistine Chapel ceiling

The Sistine Chapel ceiling is a fresco painting produced by Michelangelo between 1508 and 1512. The Sistine Chapel is regarded as a cornerstone work of High Renaissance art. The fresco ceiling is located in the Sistine Chapel in Vatican city.

Pieta

Pietà is a sculpture produced by Michelangelo di Lodovico Buonarroti Simoni between 1498 and 1499. The statue was commissioned for the French representative Cardinal Jean de Bilhères. The sculpture can be viewed at St. Peter’s Basilica in Vatican City.

The Last Judgment

The Last Judgment is a fresco painting produced by Michelangelo di Lodovico Buonarroti between 1536 and 1541. The last judgement is a fresco by the Italian Renaissance painter which could be viewed at Sistine Chapel in Vatican City.

The Creation of Adam

The Creation of Adam is a fresco painting produced by Michelangelo in 1512. The dimensions of the fresco are 280 cm × 570 cm. Leonardo da Vinci’s “The Last Supper” and Michelangelo’s “The Creation of Adam” are the most replicated religious paintings of all time.

Madonna of the Stairs

Madonna of the Stairs is a relief sculpture produced by Michelangelo in 1491. The sculpture can be viewed at Casa Buonarroti in Florence. It is also known by the name “Madonna of the Steps”. The Italian artist was only 17 when he completed this sculpture.

Battle of the Centaurs

Battle of the Centaurs is a relief sculpture produced by Michelangelo in 1492. This work is regarded as the last work completed by the Italian artist under the patronage of Lorenzo de’ Medici, who died shortly after its completion.

The Crucifixion of St. Peter

The Crucifixion of St. Peter is a fresco painting produced by Michelangelo Buonarroti between 1546 and 1550. This fresco painting was the last fresco ever painted by the Italian artist and can be viewed at Cappella Paolina, Vatican Palace, in the Vatican City, Rome.

The Death of Leonardo da Vinci

The Death of Leonardo da Vinci is a painting produced by Jean Auguste Dominique Ingres in 1818. The painting depicts one of the greatest minds of the world and this painting was commissioned by comte de Blacas who was the french ambassador.

Bacchus

Bacchus is a marble sculpture produced by Michelangelo between 1496 and 1497. The Italian artist depicts Bacchus, the Greek god of wine in drinking pose which was commissioned by Raffaele Riario. The sculpture can be viewed at Museo Nazionale del Bargello in Florence.

The Dying Slave

The Dying Slave is a marble sculpture produced by Michelangelo between 1513 and 1516. It was produced to serve with another figure, the Rebellious Slave, at the tomb of Pope Julius II. This marble sculpture can be viewed at The Louvre in Paris.

Battle of Cascina

Battle of Cascina is a painting produced by Michelangelo and it is an influential lost artwork. This painting was commissioned by Piero Soderini, statesman of the Democratic of Florence. It was produced for the wall of the Salone dei Cinquecento in Palazzo Vecchio.

The Conversion of Saul

The Conversion of Saul is a fresco painting produced by Michelangelo Buonarroti between 1542 and 1545. The painting can be viewed at Cappella Paolina, Vatican Palace, in the Vatican City, Rome. The next fresco painted by the Italian artist was The Crucifixion of St. Peter.

Brutus

Brutus is a sculpture produced by Michelangelo in 1538. The sculpture was commissioned by the republican Donato Giannotti for cardinal Niccolò Ridolfi. It can be viewed at Bargello museum in Florence.

Leda and the Swan

Leda and the Swan is a painting produced by Michelangelo in 1530. The subject of this painting was the god Zeus, in the form of a swan, seduces Leda. This work by the Italian artist is listed as lost.

The Genius of Victory

The Genius of Victory is a marble sculpture produced by Michelangelo between 1532 and 1534. The sculpture was produced as part of a design for the tomb of Pope Julius II. It can be viewed at Palazzo Vecchio in Florence.

Rachel

Rachel is a sculpture produced by Michelangelo in 1545. The sculpture depicts the Old Testament figure Rachel. It was designed for the tomb of Pope Julius II. The sculpture can be viewed at San Pietro in Vincoli, Rome.

Apollo

Apollo is a sculpture produced by Michelangelo in 1530. It is also known as Apollo-David, David-Apollo, or Apollino. The statue had been commissioned for the private palace of Baccio Valori. It can be viewed at the Bargello museum in Florence.

The Torment of Saint Anthony

The Torment of Saint Anthony is a painting produced by Michelangelo between 1487 and 1488. The Italian artist was only 12 or 13 years old when he completed this painting. This painting can be viewed at the Kimbell Art Museum in Fort Worth, Texas.

The Madonna and Child with St John and Angels

The Madonna and Child with St John and Angels is a painting produced by Michelangelo in 1497. This painting is also known as “The Manchester Madonna” and is an unfinished painting. This painting can be viewed at the National Gallery in London.

Head of a Faun

Head of a Faun is a sculpture produced by Michelangelo in 1489. The sculpture is listed as lost now. This sculpture is well known for the Italian artist first marble and he completed this sculpture when he was only 15 or 16.

Crucifix

The crucifix is a sculpture produced by Michelangelo in 1493. The sculpture can be viewed at Santa Maria del Santo Spirito di Firenze, Florence. The dimension of the sculpture is 142 cm × 35 cm.

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Young Slave

Young Slave is a marble sculpture produced by Michelangelo between 1525 and 1530. It is part of the “unfinished” series of Prigioni intended for the Tomb of Julius II. This sculpture can be viewed at Galleria dell’Accademia in Florence.

Assumption of Virgin

Assumption of Virgin is a large painting produced by Titian between 1516 and 1518. This painting is one of the largest masterpieces in the city of Venice. This painting can be viewed at Basilica di Santa Maria Gloriosa dei Frari in Venice.

Rebellious Slave

Rebellious Slave is a marble sculpture produced by Michelangelo in 1513. The sculpture depicts trying to free himself from the fetters which hold his hands behind his back, contorting his torso and twisting his head. and it can be viewed at The Louvre in Paris.

Awakening Slave

Awakening Slave is a marble sculpture produced by Michelangelo between 1525 and 1530. It is one of the ‘Prisoners’, the series of unfinished sculptures for the tomb of Pope Julius II. The sculpture can be viewed at Galleria dell’Accademia in Florence.

Crouching Boy

Crouching Boy is a sculpture produced by Michelangelo between 1530 and 1534. The crouching boy depicts a boy, naked and turned in on himself, perhaps pulling out a thorn from his foot.. The sculpture is preserved and can be viewed at Hermitage Museum in Saint Petersburg.

Overall, Michelangelo’s paintings are important because they embody the essence of what is art by conveying profound emotions, preserving cultural heritage, inspiring beauty, and pushing the boundaries of artistic expression. They serve as enduring symbols of human creativity and the power of art to transcend time and connect us to our shared humanity.

You may like to read – 25 Most Famous Leonardo Da Vinci Paintings and Drawings

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Diana and Actaeon

Diana and Actaeon is a painting produced by Titian between 1556 and 1559. This painting is one of the seven large canvases which depicts mythological scenes from Ovid’s Metamorphoses. This painting can be viewed at National Gallery, London.

Bacchus and Ariadne

Bacchus and Ariadne is a most famous painting produced by Titian between 1522 and 1523. It depicts Ariadne who was the daughter of King Menos of Crete who was left alone by her lover theseus on an island. This painting can be viewed at National Gallery, London.

Sacred and Profane Love

Sacred and Profane Love is a painting produced by Titian in 1514. The artist depicts the bride dressed in white while sitting beside Cupid and being assisted by Venus in person. This painting can be viewed at Galleria Borghese, Rome.

The Rape of Europa

The Rape of Europa is a painting produced by Titian between 1560 and 1562. This painting depicts the mythological story of the abduction of Europa by Zeus. This painting can be viewed at Isabella Stewart Gardner Museum of Boston, Massachusetts.

Pastoral Concert

Pastoral Concert is a most famous painting produced by Titian in 1509. It depicts three young people on a lawn, playing with each other and another standing woman is pouring water from a marble basin. This painting can be viewed at Musée du Louvre in Paris.

Assumption of Virgin

Assumption of Virgin is a large painting produced by Titian between 1516 and 1518. This is the largest masterpiece in the city of Venice. This painting can be viewed at Basilica di Santa Maria Gloriosa dei Frari, Venice.

Venus of Urbino

Venus of Urbino is a painting produced by Titian in 1538. This painting depicts a nude woman reclining on a bed who is identified as the goddess Venus. This painting can be viewed at Galleria degli Uffizi in Florence.

Danae with Nursemaid

Danae with Nursemaid is a painting produced by Titian between 1553 and 1554. It depicts Danae who is scared of her life after being told that her son would kill the king. This painting can be viewed at Museo del Prado, Madrid.

Flora

Flora is a most famous painting produced by Titian in 1515. This painting depicts an idealized beautiful woman, a model established in the Venetian school by Giorgione who was Titian’s master. This painting can be viewed at Uffizi Gallery, Florence.

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Noli me tangere

Noli me tangere is a painting produced by Titian in 1514. This painting depicts Christ who appears to the Magdalen after his resurrection to comfort her. This painting can be viewed at National Gallery, London.

The Three Ages of Man

The Three Ages of Man is a most famous painting produced by Titian between 1512 and 1514. As the name suggest, this painting depicts the artist’s conception of the life cycle. This painting can be viewed at National Gallery of Scotland in Edinburgh.

La Bella

La Bella is a painting produced by Titian in 1536. It depicts a woman whose identity is unknown with Renaissance ideal proportions and a natural expressive force. This painting can be viewed at Palazzo Pitti, Florence.

Violante

Violante is a painting produced by Titian in 1515. The painting depicts Violante who was the daughter of painter Palma the Elde and this painting was portrayed in the Archduke’s gallery paintings. This painting can be viewed at Kunsthistorisches Museum, Vienna.

Portrait of a Lady

Portrait of a Lady is a painting produced by Titian between 1510 and 1512. The identity of the portrait is unknown and its shown in three-quarter length and in relief on a raised section of the parapet. This painting can be viewed at National Gallery, London.

Pesaro Madonna

Pesaro Madonna is a most famous painting produced by Titian between 1519 and 1526. Jacopo Pesaro commissioned this painting to Titian and it depicts his patron in a devotional pose, kneeling before the Virgin. This painting can be viewed at Santa Maria Gloriosa dei Frari, Venice.

The Tribute Money

The Tribute Money is a painting produced by Titian in 1516. It depicts Christ and a Pharisee at the moment in the Gospels when Christ is shown a coin and says “Render unto Caesar. This painting can be viewed at Gemäldegalerie Alte Meister, Dresden.

The Feast of the Gods

The Feast of the Gods is a painting produced by Titian between 1514 and 1529. Many historians believe that this was one of the greatest Renaissance paintings in the United States. This painting can be viewed at National Gallery of Art, Washington, D.C

The Crowning with Thorns

The Crowning with Thorns is a painting produced by Titian between 1542 and 1543. The confraternity of Santa Maria delle Grazie in Milan commissioned this painting to Titian. This painting can be viewed at Musée du Louvre, Paris.

Pietà

Pietà is a painting produced by Titian in 1575. It depicts the Madonna supporting the body of Christ, with the help of a kneeling Nicodemus. This painting can be viewed at Gallerie dell’Accademia, Venice

You may like to read – 20 Most Famous Raja Ravi Varma Paintings

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Untitled, 1978

Untitled, 1978 is a painting produced by leonora carrington in 1948. The artist redefined female symbolism and imagery in Surrealism. El Juglar is one of carrington most renowned works. The dimensions of this painting is 30.5 × 21.6 cm.

Woman with Bird, 1978

Woman with Bird, 1978 is a painting produced by leonora carrington in 1978. This painting depicts a woman sitting on the ground and a bird coming towards her with open mouth as if the woman is about to feed. The dimensions of this painting is 41.9 × 55.9 cm.

For María, 1963

For María, 1963 is a most famous painting produced by leonora carrington in 1963. The artist redefined the female symbolism and imaginary in surrealistic world. This painting depicts a nude woman walking. The dimensions of this painting is 90 × 25 cm.

Mayas, bocetos de talla de mural , 1965

Mayas, bocetos de talla de mural , 1965 is a most famous painting produced by leonora carrington in 1965. The painting depicts mural sketches of mayas. The dimensions of this painting is 26.7 × 48.2 cm.

El Juglar, 1954

El Juglar, 1954 is a painting produced by leonora carrington in 1954. On the lower left of this painting, it is signed by the artist as “LEONORA CARRINGTON, 1954”. The dimensions of this painting is 95.3 × 95.3 cm.

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Pastoral, 1950

Pastoral, 1950 is a painting produced by leonora carrington in 1950. The artist rejected the surrealist ideal of woman and then turned towards the animal world. The dimensions of this painting is 53.3 × 73.7 cm.

Une Chemise de Nuit de Flanelle, 1951

Une Chemise de Nuit de Flanelle, 1951 is a painting produced by leonora carrington in 1951. This painting is closely related to Dada and Surrealistic movement. The dimensions of this painting is 12.7 × 16.5 cm.

You may like to read – 7 Most Popular and Famous Renaissance Paintings

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The School of Athens

The School of Athens is a painting produced by Raphael between 1509 and 1511. Some famous personalities in these paintings were Plato, Aristotle, Socrates, Pythagoras, Euclid, Leonardo Da Vinci, Diogenes. This painting can be viewed at Apostolic Palace, Vatican City.

The Sistine Madonna

The Sistine Madonna is a painting produced by Raphael in 1512. Giorgio Vasari said that this painting is truly a work of extraordinary. This painting can be viewed at Gemäldegalerie Alte Meister, Dresden.

Transfiguration

Transfiguration is a painting produced by Raphael between 1516 and 1520. Cardinal Giulio de Medici commissioned this painting and Raphael worked on this until his death. This painting can be viewed at Pinacoteca Vaticana, Vatican City.

Triumph of Galatea

Triumph of Galatea is a painting produced by Raphael in 1514. This painting was made for Villa Farnesina which was built for the Sienese banker Agostino Chigi, one of the richest men of that age. This painting can be viewed at Villa Farnesina, Rome.

La velata

La velata is a painting produced by Raphael between 1514 and 1515. This painting depicts fornarina (bakeress) Margherita Luti, Raphael’s Roman mistress. This painting can be viewed at Palatine Gallery, Palazzo Pitti, Florence.

The Marriage of the Virgin

The Marriage of the Virgin is a painting produced by Raphael in 1504. The Italian artist depicts a marriage ceremony between Mary and Joseph. This painting can be viewed at Pinacoteca di Brera, Milan.

Saint George and the Dragon

Saint George and the Dragon is a painting produced by Raphael between 1504 and 1506. The subject of this painting was Saint George and the Dragon, combining chivalry and Christianity which was appropriate for the occasion. This painting can be viewed at National Gallery of Art, Washington, D.C.

Portrait of Baldassare Castiglione

Portrait of Baldassare Castiglione is a painting produced by Raphael between 1514 and 1515. The Ialian artist had depicted Raphael’s friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman. This painting can be viewed at Louvre, Paris.

La belle jardinière

La belle jardinière is a painting produced by Raphael in 1507. This painting is also known as Madonna and Child with Saint John the Baptist. Raphael depicted Mary, Christ and the young John the Baptist. This painting can be viewed at Louvre, Paris.

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Portrait of a Young Man

Portrait of a Young Man is a painting produced by Raphael between 1513 and 1514. The painting was stolen by the Nazis from Poland and thus it was the most important painting missing since World War II as claimed by many historians. The whereabouts of this painting is unknown since 1945.

Madonna della seggiola

Madonna della seggiola is a painting produced by Raphael between 1513 and 1514. The Italaina artist depicts Mary embracing the child Christ while the young John the Baptist devoutly watches her. This painting can be viewed at Palazzo Pitti, Florence.

Madonna del cardellino

Madonna del cardellino is a painting produced by Raphael between 1505 and 1506. It is also known by the name Madonna of the Goldfinch. This painting can be viewed at Galleria degli Uffizi, Florence.

Self-portrait

Self-portrait is a painting produced by Raphael between 1504 and 1506. The painting was stored in the private collection of Duke Leopoldo de’ Medici. This painting dimensions were 47.5 cm × 33 cm and can be viewed at Uffizi, Florence.

Portrait of Bindo Altoviti

Portrait of Bindo Altoviti is a painting produced by Raphael between 1512 and 1515. The Italian artist depicts Bindo Altoviti in this painting and he was a rich banker born in Rome in 1491 of Florentine origin. This painting can be viewed at National Gallery of Art, Washington, D.C

Madonna del Granduca

Madonna del Granduca is a painting produced by Raphael in 1505. The Italian painter use of sfumato in this painting was inspired from Leonardo da vinci style. This painting can be viewed at Palazzo Pitti, Florence.

Portrait of Agnolo Doni

Portrait of Agnolo Doni is a painting produced by Raphael in 1506. Many historians believe that the composition of this painting was similar to that of Mona lisa. This painting can be viewed at Palazzo Pitti, Florence.

St. Michael

St. Michael is a painting produced by Raphael between 1504 and 1505. This painting is also known as the Little St. Michael just to distinguish it from similar painting named as St. Michael Vanquishing Satan. This painting can be viewed at The Louvre, Paris.

Saint Catherine of Alexandria

Saint Catherine of Alexandria is a painting produced by Raphael in 1507. The Italian artist depicts Catherine of Alexandria who is looking upward in ecstasy and leaning on a wheel. This painting can be viewed at National Gallery, London.

Portrait of a Cardinal

Portrait of a Cardinal is a painting produced by Raphael in 1510. The cardinal depicted in this painting is either Alidosi, Bibbiena, Cybo or Trivulzio, in the court of Pope Julius II. This painting can be viewed at Museo del Prado, Madrid.

Madonna of the Rose

Madonna of the Rose is a painting produced by Raphael between 1518 and 1520. Interesting fact about this painting is that the rose and the lower portion were added at a later date by an unknown artist. This painting can be viewed at Museo del Prado, Madrid.

You may like to read – 25 Most Famous Impressionist Paintings

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Aquis Submersus

Aquis Submersus is a painting produced by Max Ernst in 1919. The artist depicts a swimming pool surrounded by buildings, these buildings appear to be hand-drawn. This painting can be viewed at Städel museum in Frankfurt, Germany.

The Hat Makes the Man

The Hat Makes the Man is a painting produced by Max Ernst in 1920. The artist produced this painting by composing cut out images of hats from catalogues linked by gouache. This painting can be viewed at Museum of Modern Art, New York City.

Pietà or Revolution by Night

Pietà or Revolution by Night is a painting produced by Max Ernst in 1923. The two figures depicted in this painting is of artist and his father. The man in the background is his father who is holding the artist. This painting can be viewed at Tate Gallery, London.

Little Machine Constructed by Minimax Dadamax in Person

Little Machine Constructed by Minimax Dadamax in Person is a painting produced by Max Ernst between 1919 and 1920. This painting is most famous works of Ernst as it represents scientific instruments. This painting can be viewed at Peggy Guggenheim Collection, Venice, Italy.

Murdering Airplane

Murdering Airplane is a painting produced by Max Ernst in 1920. The artist depicts the horrors of war through a monstrous aircraft with human arms flying over an open field. This painting is very close to Ernst as he also served in the war. This painting is currently in private collection.

Two Children Are Threatened by a Nightingale

Two Children Are Threatened by a Nightingale is a painting produced by Max Ernst in 1924. The artist depicts a red wooden gate affixed to the painted surface which opens in a painted scene dominated by blue sky. This painting can be viewed at Museum of Modern Art (MoMA), New York City, NY, US.

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Of This Men Shall Know Nothing

Of This Men Shall Know Nothing is a painting produced by Max Ernst in 1923. This painting was completed around the first french period and the artist created this on Surrealism style by use of symbolic painting. This painting can be viewed at Tate Gallery, London.

Ubu Imperator

Ubu Imperator is a painting produced by Max Ernst in 1923. This painting was completed during Ernst Paris period (1922-1941). Most interesting thing about this painting is that it resembles a collage in painted form. This painting can be viewed at Georges Pompidou Center, Paris, France

Forest and Dove

Forest and Dove is a painting produced by Max Ernst in 1927. In this painting, the artist depicts a nocturnal scene of a forest of bizarre, abstract trees. The artist has used this similar theme in many of his paintings. This painting can be viewed at Tate Gallery, London.

Napoleon in the Wilderness

Napoleon in the Wilderness is a painting produced by Max Ernst in 1941. In this painting, the artist uses a special techniques called decalcomania which helps in creating the captivating of colors. This painting can be viewed Museum of Modern Art, New York City

The King Playing with the Queen

The King Playing with the Queen is a painting produced by Max Ernst in 1944. The subject of this painting is chess playing as an art form unto itself, the enlarged king is represented by Ernst who plays with his diminutive queen. This painting can be viewed at Museum of Modern Art (MoMA), New York City, NY, US.

Europe after the Rain II

Europe after the Rain II is a painting produced by Max Ernst in 1941. In this painting, the artist uses a gouache which is pressed onto a canvas using paper thus producing a multilayered effect. This painting can be viewed at Wadsworth Atheneum, Hartford, CT, US.

The Eye of Silence

The Eye of Silence is a painting produced by Max Ernst in 1943. It depicts a lake surrounded by green and brown shapes that simultaneously suggest natural rock formations. The dimension of this painting is 141 x 108 cm.

The Elephant Celebes

The Elephant Celebes is a painting produced by Max Ernst in 1921. It is regarded as the Ernst’s early surrealist works and considered widely as the first masterpiece of Surrealist painting. This painting can be viewed at Tate Modern, London.

Woman, Old Man and Flower Femme

Woman, Old Man and Flower Femme is a painting produced by Max Ernst in 1923. This painting is widely known for Ernst work closely related to Dada and Surrealism. This painting can be viewed at Museum of Modern Art (MoMA), New York City, NY, US.

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